On Air: Representing Osing Identity in Community Radio
DOI:
https://doi.org/10.19184/csi.v1i1.17712Abstract
Keywords: Osing Languages, Osing Community Radio, Osing Representations
Downloads
References
Anderson, B. (2008). Imagined Communities (Komunitas-Komunitas Terbayang). Insist.
Arps, B. (2009). Osing Kid and The Banners of Blambangan: ethnolinguistic identity and the regional past as ambient themes in an East Javanese town. Academia, Vol.11(Wacana), 1–38.
Arps, B. (2010). Terwujudnya bahasa Using di Banyuwangi dan peranan media elektronik di dalamnya (selayang pandang, 1970-2009) [ The realization of the Using language in Banyuwangi and the role of electronic media in it (at a glance, 1970-2009)]. Tokyo Research Instituties for Languages And Cultures Of Asia and Africa (ILCAA) Tokyo of Foreign Studies, 226–245.
Barthes, R. (2012). Elemen-elemen Semiologi. [Semiological Elements ]. Jalasutra.
Bourdieu, P. (2010). Arena Produksi Kultural. [Masculine Dominance] Pustaka Pelajar.
Collin, M. (2003). Serbia Calling : Kisah Radio B92, Musik Rock’ n’ roll dan Perlawanan Bawah Tanah dari Beograd. [Serbian Calling: The Story of Radio B92, Rock 'n' Roll Music and Underground Resistance from Belgrade]. Kantor Berita Radio 68H.
Featherstone, M. (2008). Posmodernisme dan Budaya Konsumsi. [Posmodernisme dan Budaya Konsumsi]. Pustaka Pelajar.
Fromm, E. (2002). The Art ofListening (Kritik Atas Psikoanalisis Sigmund Freud). Immortal Publishing dan Octopus.
Fromm, Erich. (1990). Seni Mencintai. Sinar Harapan.
Hall, S. (2003). Representation. SAGE Publications.
Heryanto, A. (2012). Budaya Populer di Indonesia (Mencairnya Identitas pasca Orde Baru). Jalasutra.
Jurriens, E. (2009). From Monologue To Dialogue : Radio And Reform In Indonesia. Leiden: KITLV Press.
Kirschke, L. (2004). Gelombang Kematian: Media Pengobar Genosida Rwanda. [Waves of Death: Media of the Rwandan Genocide]. KataKita.
Komariah, K. (2014). Pemanfaatan Radio Komunitas Di Masyarakat Nelayan Dalam Melestarikan Lingkungan Pantai Berbasis Budaya Lokal’. [ Utilization of Community Radio in Fishing Communities in Preserving Local Culture-Based Beach Environment]. Jurnal Visi Komunikasi, 13(1).
Makmur, M. H., & Taufiq, A. (2015). Relasi Aktor Dalam Ruang Wacana Kebijakan Kebudayaan Di Banyuwangi. KARSA: Jurnal Sosial Dan Budaya Keislaman, 22(2), 235. https://doi.org/10.19105/karsa.v22i2.575
Mohamad, G. (2018). Seni Politik Pembebasan. [The Political Arts of Liberation]. Yogyakarta: IRCISoD.
Ong, W. J. (2013). Kelisanan dan Keaksaraan. [Ordinance and Literacy]. Perpustakaan Nasional: Katalog Dalam Terbitan.
Prasetyo, H. (2016). Image Hegemonik: Membentuk dan Menciptakan Ruang Reproduksi Kultural’, [Hegemonic Image: Shaping and Creating Spaces for Cultural Reproduction] dalam Kebudayaan Osing : Konstruksi, Identitas Dan Pengembangannya. Anoegrajek.
Prasetyo, Hery., & Rosa, D. V. (2015). Reinterpreting The Political Fragmentation of Cultural Space.
Prasetyo, Hery. (2017). Ruang Abstrak Pemangku Adat : Narasi Elite Dan Re-Tradisionalisme Komunitas Using. [Abstract Space for Adat Leaders: Elite Narrative and Re-Traditionalism of the Using Community]. Jurnal Sosiologi Pendidikan Humanis, Volume 2, 74–87.
Prasetyo, Hery, & Rosa, D. V. (2014). Space For Cultural Articulation: Voicing The Local In
Commodity Transformation. 1–12.
Sutrisno, M., & Putranto, H. (2005). Teori-Teori Kebudayaan. [Cultural Theories]. Kanisius.
Tacchi, J. A. (1997). Radio Sound As Material Culture In The Home’, University College London. University of London.
Wahyudiono, Andhika. (2018). Kajian Bahasa Osing Dalam Modernitas [The Study of Osing Language in Modernity]. Dalam Eskplorasi Bahasa, Sastra dan Budaya Jawa Timuran. Jember: Universitas Jember[In Exploration of East Javanese Language, Literature and Culture. Jember: University of Jember],
Weintraub, A. N. (2012). Dangdut: Musik, Identias dan Budaya Indonesia. [Dangdut: Music, Identity and Indonesian Culture]. Kepustakaan Populer Gramedia.
Downloads
Published
Issue
Section
License
Copyright (c) 2021 Windu Bramantio Wisnu, Dien Vidia Rosa

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

